Yume Tsukai

Yume Tsukai, a contemporary fantasy series from 2006, was one of the first anime shows I worked on; I QCed the entire series for C1. It was quite popular with fansub groups at the time and was subbed to completion by Arienai and Ureshii, AonE and Ayu, and of course C1. However, it was never licensed in North America and, rather surprisingly, never resubbed in English from DVD sources. Accordingly, Orphan is proud to present Yume Tsukai in a softsubbed release based on the R2J DVDs.

Yume Tsukai tells the story of the Dream Masters (yume tsukai), who combat the effects of nightmares that cross the boundary between dreams and reality and erupt in the real world. Dream Masters are named after the seven stars in the Pleiades cluster, which in Japan are named for the seven days of the week. The most experienced is the Sunday Star, Mishima Touko, age 17. She is a recluse and sleeps for 12 to 16 hours a day. Her younger sister is the Tuesday Star, Mishima Rinko, age 10. She is super genki and confident and calls herself the Super Elementary School Student. They are joined in some episodes by the Friday Star, Tachibana Hajime, a lolicon who regards anyone older than a teenager as ancient history; the Saturday Star, Sagawa Satoka, a relative newcomer who lives in Kyuushu; and Touko’s Aunt Misako, who is 29 years old and still a virgin.

The show is episodic, although there is an underlying background mystery about the fate of Touko’s father, who was killed while fighting a nightmare. In most episodes, Touko and Rinko are commissioned to investigate a baffling phenomenon which turns out to be a nightmare erupting in the real world. They must locate the dreamer, gain his or her consent to end the nightmare, and then fight its effects. They do this with shaman sticks known as Broom Gods, into which they place various toys. The toys transform into weapons to combat the nightmare, which is eventually returned to the world of dreams.

This summary makes Yume Tsukai sound formulaic and action-centric, but in fact, it's a series of character studies focusing on the troubled dreamers and their reasons for unleashing nightmares on the world. The dreamers include unhappy children, divorcing couples, bereaved lovers, and depressed teenagers – people who are experiencing real-life situations beyond their ability to cope. (In many ways, Yume Tsukai uses nightmares as a metaphor for the effects of mental illness.) The Dream Masters’ intervention can combat the effects of the nightmare, but the dreamer must choose whether or not to hold on to feelings that led to the nightmare. In some cases, the dreamer is able to resolve the underlying conflict, and there’s a happy ending; in other cases, not so much.

While the stories in Yume Tsukai are interesting, and the characters are engaging, the animation is problematic. Even though the show was produced by Madhouse in its prime (the same year as Nana and Death Note, among many others), it was clearly made on a low budget. As a result, whole scenes, particularly action sequences, are repeatedly recycled. The climactic battle in episode 3, using the Dream Cyclone, is reused more or less verbatim in episodes 4 and 5. The climactic battle in episode 8 is simply not animated at all. In medium shots, the characters' faces are often distorted beyond recognition. These shortcuts, combined with the wispy character designs, can be rather off-putting.

I had been looking for DVD sources for Yume Tsukai for years but never found any at full 480p resolution. Eventually, I bought a complete set on a Japanese auction site and had them shipped to the US (shipping was three times as much as the DVDs themselves). bananadoyouwanna encoded the show. The source was mostly progressive, but occasional scenes were interlaced, requiring careful attention to detail and multiple tries to get the encodes right. Yogicat hand-transcribed the Arienai-Ureshii subtitles, and I OCR’d the AonE-Ayu set. In addition, I had the C1 scripts from ten years ago. Orphan’s scripts are mostly Arienai-Ureshii, but I’ve used the other groups where the phrasing is better. I edited and typeset, Iri checked the translation, ninjacloud timed, Juggen contributed the karaokes (the OP and ED are terrific), and Calyrica and I did QC.

The fansub scripts date from an era when it was fashionable to leave Japanese terms untranslated and supply copious on-screen translation notes instead. After some discussion, the Orphan team decided to translate terms wherever possible, while still preserving honorifics. So yume tsukai is translated as "Dream Master," Nichousei as "Sunday Star," asobetatmatsuru as "play offering," ikai as "another world," tensou as "transform," Tsuburame Oo as "Round-Eyed King," 3-chome as "Third District," and so on. If you prefer untranslated terms, the original fansubs are readily available and quite watchable.

Some other translation notes, mostly from the original Ureshii-Conclave scripts:

• Ep01 – The girls' school is Hanabirazaka Jogakyuin, so "Hana girls" is a nickname for the students.
• Ep01 – Madoromichu means "Sleepy Town."
• Ep01 – A Teru Teru Bouzu is a paper charm shaped like a little ghost. When hung under a window or roof, it's supposed to keep rain away.
• Ep01 (and others) – "Reality is but a dream! Our nightly dreams are the true world!" Based on a line from an Edogawa Ranpo story.
• Ep03 – "Sway gently" is an ancient Shinto resurrection spell.
• Ep03 (and others) – Clinamen bullet. Clinamen is the name Lucretius gave to the spontaneous microscopic swerving of atoms from a vertical path as they fall. According to Lucretius, without Clinamen, nature would never have created anything. This theory is a part of Epicurean physics. (https://en.wikipedia.org/wiki/Clinamen)
• Ep08 – The kanji for Wakaba means "young leaf."
• Ep09 - The chant "Kuwabara, kuwabara" originated as a farmer's appeal to the god of lightning so that his fields would not be struck during a storm.
• Ep09 – "Grief, happiness, they don't exist to me." A death poem for Ashikaga Yoshimasa (1436-1490), a Shogun of the Muromachi period.
• Ep10 - "Pai Pai" is a play on oppai, the Japanese word for breasts.

The lead voice actors are well-known veterans. Kawasumi Ayako (Touko) has had a prolific career, including Lafiel in Crest/Banner of the Stars, Saber in Fate/Stay Night, Ohno in Genshiken, and my personal favorite, Nodame in Nodame Cantabile. Seki Tomokazu (Hajime) has overlapped with Kawasumi Ayako in many series, playing Gilgamesh in Fate/Stay Night, Tanaka in Genshiken, and of course, Chiaki in Nodame Cantabile. Shindou Kei (Rinko) has also appeared in many shows, most recently Boku no Hero Academia. Hisakawa Aya (Aunt Misako) has had an active career as well, including Sailor Mercury in the Sailor Moon franchise and Skuld in the Ah! My Goddess properties. The music is by Terashima Tamiya, who also wrote the opening song. It supports the show’s mood well, with a "spooky phenomenon" theme that seemingly riffs on the main Harry Potter movie theme.

So enjoy Yume Tsukai in this new softsubbed version, and sweet dreams.

A-Girl v0

Here's a bluebird that happened by and flew through the release process in a flash: A-Girl, an OVA from 1993.

In 1992, Madhouse and Margaret Comics collaborated on an OVA of the shounen-ai romance Zetsuai 1989. This was successful, and in 1993, Madhouse issued six additional OVAs based on Margaret Comic properties:

• Oshare Kozou wa Hanamaru
• Singles
• Pops
• Oeda wa Nemurenai!
• Kiss wa Hitomi ni Shite
• A-Girl

Unfortunately, these additional OVAs were not successful and quickly sank into obscurity. None of them made it to Laserdisc, let alone DVD.

A-Girl is based on a 1984 shoujo romance manga by Fusako Kuramochi. It tells a very simple story: girl meets boy, girl loses boy, girl gets boy. High-school student Mariko and her elder sister Mayu are forced out of their apartment by a fire and move in with their landlord. Mariko meets the landlord's handsome son, Natsume, who is also a model. They fall in love but break up when Mariko discovers that Natsume is seeing other girls. Eventually, they are reunited, and the end credits roll, except...

The raw we have - and the only one available - is defective: it is small (512 x 384) and is missing the end credits. Apparently, it was stitched together from three pieces on YouTube. Accordingly, we've labeled this release a "v0". If a better raw turns up - complete, and hopefully at 480p - we'll reissue the show.

A-Girl was the directorial debut of Kousaka Kitarou. (He also did the character designs.) He later worked for many years as an animation director and key animator on Ghibli films before achieving prominence as the director of the award-winning Nasu: Anadalusia no Natsu. For A-Girl, he chose a novel approach: he made a "silent movie." A-Girl has no dialog and is performed against a background of Japanese pop songs composed by Okada Tooru and sung (in English!) by SEIKA. Dialog placards provide continuity, like in old silent films. It works pretty well and doesn't interrupt the flow of the story.

Iri found the raw (after sitting on a dead torrent for a year) and then translated and timed it. I edited and typeset the captions, and Nemesis QCed.

So enjoy A-Girl in its truncated form. This will have to do, until a better source turns up. If you like the music, the soundtrack is available on BakaBT.

Utopa

Another show from Anime Tamago 2016, and probably Orphan's last. Utopa is a sci-fi offering from STUDIO4°C, a veteran company known for adventurous fare like Tekkon Kinkreet and Ani*Kuri 15 as well as utter sellouts like PES: Peace Eco Smile. (Gotta earn a living, I guess.)

Utopa is set in the far future, as a longish voice-over at the beginning explains. After ruining the Earth's surface with biological and nuclear war, mankind has retreated to cities in the sky. There, for no particularly compelling reason, they have crossbred with the surviving animals to produce intelligent hybrid species. When a seed drifts into the sky city, three youngsters - Kui, a dog boy, Hiruma, a cat girl, and Ruto, a lizard boy - venture down to the Earth's surface in search of more seeds and new adventures. The biosphere has indeed regenerated, in a new, almost alien way:

Giant jellyfish float through the air, zapping potential prey with bolts of electricity. And nothing seems to be edible (except for the three of them). Hiruma befriends or adopts an oversized caterpillar, which is promptly seized by a giant talking bird as food. The three friends challenge the bird to a contest, with the caterpillar as the prize. All's well that ends well, as you might expect.

Utopa reminds me a lot of last year's Parol no Miraijima. In that show too, three not-quite-human friends - two male, one female - set out on a voyage of discovery from a protected world into the great unknown, encounter many hazards, and eventually win out. I like Parol rather better than Utopa, I think - the characters are more engaging, and the animation more inventive and fluid. Utopa has an odd mix of character designs, as this shot of the bird with the three human hybrids shows:

Kui is played by rising voice actress Tanaka Aimi, probably best known as the titular little sister in Himouto! Umaru-chan. Hiruma is voiced by Ueda Reina, who has appeared in many recent series, including Bakuon and Dimension W. (Ruto is played by an actual child.) The unnamed bird is voiced by an industry veteran, Hoshino Takanori. The director, Tanaka Takahiro, has been a key animator on many projects and animation director on a few; this is his directorial debut.

Iri translated and ninjacloud timed. I edited, and Calyrica and Xenath3297 did QC. The raw is from Ohys and is an HDTV capture, not a Blu-Ray.

Enjoy another egg from Anime Tamago 2016!

Kaze no Matasaburou (2016)

Kaze no Matasaburou (2016) (Matasaburou of the Wind) is one of this year's Anime Tamago (formerly Anime Mirai, formerly Young Animator's Training Project) OVAs. It is based on Miyazawa Kenji's story of the same name and was already made into an experimental OVA back in 1988.

The plot is slight. A young girl from the city named Takada has to relocate to the country for a while, because her father is supervising a power project there, and her mother is away on a business trip. Her new home is so remote and rural that her school class is made up of a boy, a bear, a pig, a frog, a turtle, a cat, a deer, and a worm. Strong winds blow frequently, and all the students believe that this is due to Matasaburou of the Wind, a child of the wind god. Takada gets to experience the tranquil wonders of country life, make a new friend, and find out the truth about Matasaburou for herself. Then she goes back home to be with her mother in the city.

Matasaburou is quietly humorous slice-of-life comedy, but the animation is the real draw. The art style is simple and beautiful, employing watercolor-style fills on starkly drawn outlines. The country backgrounds are reminiscent of Miyazaki but are more impressionistic, like this waterfall:

There are frequent wonderful and whimsical touches too, like this shot of a cricket making his music as the clouds roll in.

Matasaburou is the product of a relatively new studio, Buemon, which has mostly done CGI work. This is their first venture in conventional (looking) animation.

The elementary school students are all voiced by children, a recent trend in Japanese anime that contributes to more realistic performances. The adult parts are voiced by veterans of the industry. For example, the deep-voiced Matasaburou is played by Tanaka Masahiko, who has worked in the industry since the second Astro Boy series in 1980. The music is spare and quiet, befitting the mood.

Iri translated and did initial timing; Yogicat did the detailed timing; I edited and typeset; and Calyrica and Xenath3297 did QC. The raw is from Ohys Raws.

Please enjoy this beautiful anime.

Nora

Here's another project with a BakaBT connection, the 1985 sci-fi OVA Nora. I first learned about Nora in the long (and mostly unanswered) thread called "Old Anime for Subbing." It was one of the few shows listed that had a decent and accessible raw, so I downloaded it and eventually persuaded the Orphan translators to work on it. Iri did the bulk of the translation, but both gamnark and skypilot helped out in places. Accordingly, they decided that all three should be listed as translators. ninjacloud timed, I edited and typeset (the signs are minimal), and Redac and I did the QC. Rather late in the game, Erik of Piyo Piyo Productions made a new encode from his own LaserDisc, with much better color fidelity than the original raw, and that's what has been used in this release. 

Nora is very much a creature of its time. It is set on a space station named Frontier Spaceport. In the forgotten depths of its service areas, a disgruntled scientist, Professor Dohati (formerly of MIT, natch), programs an AI called Artifiend, or Artie for short, to think of itself as the demon king. He directs it to conquer the world, which it does by infiltrating every computer system on Earth and in space and threatening to set off a nuclear war.  (Is it a coincidence that Artifiend visually resembles WHOPPR, the AI at the heart of 1983's War Games?) Dohati and Artifiend are opposed by another scientist, Professor Zachariasen, and his chance acquaintance, a teenaged girl named Nora Scholar. As might be expected, high-speed computational ability and pure logic prove no match for a teenaged girl's randomness, and the world is saved after suitably hazardous but completely PG adventures. 

Despite its Doomsday sci-fi plot, Nora is essentially a comedy. Nora sees everything that happens – from the freak accidents caused as Artie seizes control of the space station's computers to the booby-trapped journey to find Dohati's basement lair – as a grand adventure. She assumes that Artie is basically a teenaged boy whom she can wrap around her little finger, as she has already done with Professor Zachariasen. And the threat of nuclear Armageddon doesn't faze her in the least; to her it's just the tantrum of a lonely boy who needs some loving. She fixes everything in a breezy and offhand manner, alternating MacGuyver-like ingenuity with adolescent illogic, and then returns home. It's a fun ride and a ringing endorsement of Grrrl Power in an entirely 80s sexist way. 

Nora was played by the voice actress Yamamoto Yuriko, who also had the title roles in Lady Georgie, Mahoutsukai Sally, and Hello Sandybell. She sang the ending song in Nora as well as other shows. (Orphan fans may know her as the voice of Tomoe in Tomoe ga Yuku! or Telenne in Hi-Speed Jecy.) Professor Dohati was played by the late Nagai Ichigrou, a go-to voice actor for elderly, if slightly off-kilter, authority figures. He dubbed the voice of Dumbledore in the Japanese versions of the Harry Potter movies and Yoda in the Star Wars prequels. In anime, he showed a more manic and comic side as Happousai in Ranma ½ and Inokuma Jigoro in Yawara! Orphan fans may know him as the crazed narrator in Maroko/Gosenzosama Banbanzai! or the voice of Shima Togo in Yamato 2520. Professor Zachariasen was played by the late Utsumi Kenji, who also had a highly varied career. He dubbed Apollo Creed in the Rocky movies and Gimli the Dwarf in Lord of the Rings. In anime, he voiced the title role in Don Dracula, Alex Louis Armstrong in Fullmetal Alchemist, and Norimaki Senbei in the Dr. Slump & Arale-chan franchise, as well as many other roles. He appeared in Bavi Stock as well, but I don't know as which character.)

Romanization of the "Engrish" names caused endless problems. Dohati should be Dougherty, but it's spelled out in a sign. Zachariasen is listed in the ANN credits as Zakariasen, and Artifiend as Artifind. Only Nora's name is without controversy. And when Nora calls Artie a "memekurage," it's a fictional jellyfish due to an editor's misreading of xxクラゲ (xx kurage, or random jellyfish) as メメクラゲ (memekurage). 

So enjoy this early OVA, now finally subbed in English. We'll do the sequel, Twinkle Twinkle Nora Rock Me, if the translators feel like taking another dip in the pool.

Satsujin Kippu wa Heart-iro

Satsujin Kippu wa Heart-iro (The Murder Ticket Is Heart-Colored) is a 1990 standalone OVA based on a series of young adult novels for women by Yamaura Hiroyasu. Iri translated the show and did the initial timing. Yogicat did the detailed timing, I edited and typeset, and Redac and Xenath3297 did QC. The raw is an anonymous Internet rip from a Laserdisc and is pretty good, with excellent image stability and relatively little frame-blending. 

Satsujin Kippu tells the story of Nagare Seiko, a teenaged girl who has been temporarily suspended from her private high school in Tokyo for defending a friend from bullies. She decides to take advantage of this involuntary vacation by taking a trip to Nagasaki with her black-and-white cat, Gonbei. On the train down, she meets a handsome young man, a guitarist name Takano Kyouichirou, only to learn that he had apparently been murdered days earlier. She also encounters Misora Chuuta, a brash youngster who is clearly interested in her – an interest she doesn't reciprocate – and an older man, unnamed, who helps her when she's in trouble. Seiko repeatedly crosses paths with Chuuta as she tours Nagasaki, despite repeated attempts to give him the brush off. Eventually, Seiko gets involved in a murder mystery concerning a prominent local family, the Totsugawas. Reluctantly accepting Chuuta's help, she works to unravel the twin mysteries of the ghostly guitarist and the Totsugawa family. 

Satsujin Kippu is not a particularly deep mystery, and the solution comes out of left field, but it observes the rules of classical mystery fiction. (This allows the viewer to guess who the criminal is long before the main characters do.) Seiko makes a spunky heroine, never falling into tropes such as the maiden in distress or the tsundere. Chuuta is sufficiently eccentric to make him both interesting and suspicious. There's a lot more comedy and ghostly doings than clues and gore, so the result is a pleasant diversion for all ages (one brief nude scene aside). And besides, it has Gonbei, a cat that's rather talented: at one point, he gives Chuuta the traditional Japanese raspberry, the akanbe (pulling down one's lower eyelid and sticking out one's tongue).

The director, Sugiyama Taku, started at Tezuka Osamu's Mushi Productions, where he was Art Director for Sen'ya Ichiya Monogatari. He directed a number of other movies and TV series, including Hi no Tori 2772 and Bosco Daibouken. Toshihiko Seki, who played Misora Chuuta, has an extensive voice acting and stage resume, including Alexander in Reign: The Conquerer and Matsuda Kousaku in the Yawara properties. Matsuoka Miyuki, who played Nagare Seiko, has a more modest resume, including Fa Yuiry in the Gundam franchise.

Some translation notes:

• 3-kyu in Aikido. Aikido has two basic skill levels, kyu and dan. Within each level are grades, expressed by numbers. Kyu and dan are sometimes referred to as white belt and black belt, but other colors are used as well.
• Urakami Cathedral (St. Mary's Cathedral in Urakami) was built in 1895, when the long-standing ban against Christianity in Japan was lifted. It was completely destroyed in the atomic bombing of Nagasaki in 1945 and rebuilt in 1959 on its original site.
• The Nagasaki Peace Park abuts Urakami Cathedral. It contains a 10-meter tall sculpture, pictured in the anime, by local sculptor Seito Kitamura.
• The Dutch Slope (oranda-zaka) is a hillside residential area of Nagasaki where Dutch merchants settled in the second half of the 19^th century.
• Hinoki cypress bath. Hinoki cypress is a slow-growing Japanese tree. Its high quality wood is lemon-scented, light pinkish-brown, with a rich, straight grain, and is highly rot-resistant.
• Sannomaru means "third enclosure."

Enjoy this vintage mystery OVA.

Hashire Melos (1992)

Hashire Melos (Run, Melos) is a Japanese short story published by Osamu Dazai in 1940. It is a tale of friendship tested and proven. It appeals strongly to the Japanese and has been made into an anime on multiple occasions:

• 1979, episode 20 of Nihon Meisaku Douwa Series: Akai Tori no Kokoro.
• 1981, as a TV special.
• 1992, as movie (this release).
• 2009, as episodes 9-10 of Aoi Bungaku.

Hashire Melos is based on a ballad by Frederick Schiller and draws on the Greek legend of Damon and Pythias. It tells the story of Melos, a shepherd who crosses (either deliberately or inadvertently) the tyrant of Syracuse, Dionysius the Younger (called Dionysius II in the movie), and is condemned to death. He requests time to return home and settle his affairs, but the king refuses, believing that Melos will run off and never return. Melos' friend Selinuntius volunteers to take Melos' place. The king agrees but warns Melos that Selinuntius will be executed if Melos fails to return in three days. After numerous trials, Melos returns in the nick of time. The king is so astonished by this display of true friendship that he releases both men.

This was supposed to be a straightforward project – a soft-subbed version of a Laserdisc source using the R1 VHS subtitles from the ACR (Anime Classics Review) release. Encode, transcribe, time, edit, QC, release – easy, right? Somehow, it didn't turn out that way. It has taken more than a year from receipt of the initial LaserDisc rip to release for, well… reasons.

Let's start with the encode. To quote the current US presidential campaign, it's YUUUUUUGE: 2.3GB for a 106 minute movie that's not even full 480p resolution. Further, it's in two parts, with a totally arbitrary dividing line at the 52 minute mark. Why, you ask? First, the two parts of the source have different resolutions, or, more accurately, different sized black borders. The first part is 682 x 370, the second, 696 x 370. The encoder refused to put them together and have vertical bars in the first part or excess cropping in the second part. Second, the source is from film stock, and rather than risk losing or distoring details with filters and compression, the encoder ultimately just threw bits at the encode: 2200 kbps in the first part, 3000 kbps in the second. 

While transcription, timing, and editing went quickly, it took a long time to get the R1 subs translation-checked, and they really needed them. For example, many of the names in the R1 script were incorrect (the queen's name is Phryne, not Flooney, for example). Then QC stalled as well. Both TLC and QC required new resources; I've documented Orphan's translation and QC woes in other posts. But we're finally done.

Was it worth it? I find this version of Hashire Melos overstretched. There isn't enough content in the original short story to justify 100+ minutes of screen time. The first 24 minutes of the movie are an "anime original" prologue that shows Melos as a country bumpkin visiting the big city and meeting Selinuntius for the first time. There's a lot of other padding too: the sequence of events that ensnare Melos in an accusation of treason, the nefarious plot to stop Melos from returning in time, the backstory about Selinuntius and his father, and so on. The garrulous old fart Calippus and the young prostitute Raisa aren't in the original story either. Finally, the movie draws a direct link between the story of Melos and Selinuntius and the fall of Dionysius the Younger. In the short story, Melos' determination helps the king overcome his paranoia and become a better ruler. 

On the positive side, I really like the "look" of the movie and its character designs. The main characters have distinctive faces and body types, with real noses and realistic eyes. Melos looks like an overgrown lunk of a shepherd, Dionysius has the "lean and hungry" demeanor of a habitual schemer, and Selinuntius has a balanced appearance befitting a classical sculptor. The animation is fluid, set against very detailed backdrops of the city of Syracuse and the Sicilian countryside. The voice actors are good too. Yamadera Kouichi, who plays Melos, has had a distinguished voice-acting career, including Spike in Cowboy Bebop, Togusa in the Ghost in the Shell franchise, and Ryoga in Ranma ½. The other seiyuu have mostly been in featured roles. Osami Misaki directed and also did the storyboards and the screenplay. Hashire Melos was one of his last projects. Kazumasa Oda composed all the music, including the excellent ending ballad. The background music is subtle and used sparingly. 

M74 transcribed the ACR subtitles and did the initial timing; ninjacloud did timing cleanup. Iri translation checked, I edited and typeset, Juggen created the ending karaoke, and Calyrica, konnakude, and new staff member Xenath3297 did QC. bananadoyouwanna encoded the LD source, and the experience proved so traumatic that he has sworn never to touch a non-progressive source again. The LD rip itself is from an anonymous source.

Please enjoy this new release of Hashire Melos.